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Monday, December 31, 2012

Where Can You Buy Panasonic Lumix DMC-GH3K 16.05 MP Digital Single Lens Mirrorless Camera with 3-Inch OLED

Panasonic Lumix DMC-GH3K 16.05 MP Digital Single Lens Mirrorless Camera with 3-Inch OLED Panasonic Lumix DMC-GH3K 16.05 MP Digital Single Lens Mirrorless Camera with 3-Inch OLED Review
CategoriesFull HD
Product CodeB009B0WREM
Product Rating
Price$1,299.00
Where To BuySee More Details
Customer ReviewSee More Reviews
Buy Panasonic Lumix DMC-GH3K 16.05 MP Digital Single Lens Mirrorless Camera with 3-Inch OLED





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Product Details

  • Amazon Sales Rank: #824 in Camera & Photo
  • Color: Black
  • Brand: Panasonic
  • Model: DMC-GH3KBODY
  • Dimensions: 3.68" h x
    5.23" w x
    3.23" l,
    1.30 pounds
  • Display size: 3

Features

  • Full Area Touch Control Auto Focusing
  • Cinematic Full HD Video 1080/60p (H.264)
  • Ruggedized Splash and Dust Proof Diecast Body for Ultimate Reliability
  • High Speed Contrast AF Accuracy
  • Double OLED Display
  • Full Area Touch Control Auto Focusing
  • Cinematic Full HD Video 1080/60p (H.264)
  • Ruggedized Splash and Dust Proof Diecast Body for Ultimate Reliability
  • High Speed Contrast AF Accuracy
  • Double OLED Display

Product Description

Digital Single Lens Mirrorless Camera.What's in the box: Panasonic Lumix DMC-GH3 Mirrorless Digital Camera (Black), Battery Charger with AC Cable, Battery pack, Body Cap, USB Connection Cable, Shoulder Strap, CD-ROM, Photofunstudio 8.5 PE, Silkypix Developer Studio 3.1 SE and LoiloScope (trial version).

Customer Reviews

Most helpful customer reviews

43 of 45 people found the following review helpful.
4Nice To Meet You
By Dionisio Kamanel
I have been waiting for this camera for about 4 years. In 2008 I was looking for the best camera that excelled in both stills and video. I settled for a JVC camcorder which recorded in SD and took 5mp stills. I moved to a Sony SR-11 for HD and interlaced 10mp stills. I was unsatisfied with the stills of the Sony so I bought an Oly E-420 touted as the smallest DSLR to accompany my camcorder. For over a year I dealt with the cumbersome set up of camcorder, DSLR body, 2 lenses and a tripod with mixed results to boot.Enter the GH2 and 2 issues were somewhat solved at once. The 1st problem was bulk and the other being image quality. The stills of the GH2 was a major step up to my Oly E-620 and the video quality was also significantly upgraded as a result.Now finally to the GH3 {while comparing to the GH2... I say that the GH2 feels and looks like a toy, yet is quite a serious tool under the hood so to speak. The advantage of looking like a toy was the incognito factor. In contrast, the GH3 has an excellent form, feel and look to it. It fits like a glove for me when operating. As a photographer our camera is like an appendage after all. The GH3 with a 12-35mm attached is light and remains relatively compact.The location of levers and buttons are logically placed. I initially thought the lever to change from AF to MF was in a bad place and hard to turn. I was trying to make the adjustment with my forefinger (because I almost always have it mounted on a tripod) but it was clearly designed to be turned with the thumb which is stronger. I appreciate the ability to open the battery compartment and not have to remove my quick release tripod plate. I used to always accidently press the WB button of the GH2 and even change settings. The WB and ISO buttons are now on top. No more accidents.Another major improvement is the speed. The burst shots are very responsive with no lag writing to the card until after 30 shots or so. I use a San Disk 95 mbs write speed which shines now. I was amazed of the processor speed of the GH3 when I would finish doing a burst of 5 shots or so (always RAW) and then press the video button and start recording right away. I have missed many key moments in video on the GH2 because I was waiting for it to finish writing to the memory card.It absolutely destroys the GH2 on this.The electronic shutter is not virtually silent on a AF lens. You will hear the lens (not the body) make a small adjustment sound. This is still perfectly acceptable even in places demanding silence. One of the serious problems with Electronic Shutter is the bands / electronic stripes (like video of a CRT screen) that ruin images in certain artificial lighting.As a so called hybrid shooter I welcome the advantages of the GH3 over the GH2 in speed and ease of transition between the mediums. The 1st thing I noticed was the manual Movie Mode which is not placed after all the C (Custom Settings) but right after M (Manual). I often shoot in A (Aperture) Mode and switch to manual Movie mode so I have 3 less turns to do now. The other thing is when recording video on PASM in the GH2 it would default to the lowest Bit Rate 17 mbps. Now it records in whatever mode you have set up like the MOV 1080 60p @ 50mbps without having to switch to manual. I have a couple of gripes I am having a difficult time accepting though. The 1st is the EVF compared to the GH2. It now has a more "digitized" look to it. The noise (grain) is excessive in many cases. The EVF eye piece is much smaller also for some reason. A missing feature (that I miss anyways) is the "My Menu" found on the GH2 which lets you quickly access the last 5 menu features you used. I would use this to access things like formatting the memory card (instead of digging in the menu).I just finished a weekend of shooting multiple events related to Art Basel Miami and I found myself thoroughly enjoying the shooting experience even though I just received the camera a day prior. The excellent Lumix 12-35mm has a lot to do with my positive experience. A fellow video shooter with a Canon 1D was impressed with the Continual AF speed and accuracy of the GH3 via the rear view monitor. I like the extras like Level Gauge, Intravalometer and WiFi to name a few useful features added to the GH3. The battery life is greatly improved too. I took 100's of stills and video clips the other night and it still showed 2 bars left. The GH2 has aweful banding on video especially with clear blue skies. I shot a beach scene w/ the GH3 (with bright blue skies) at 7mm on a Lumix 7-14mm and saw less banding. Many of the strong points of the GH2 made it to the GH3 like EX TELE Convert feature though it has it's quirks.This hybrid is the best we have yet available, but it is not perfect. With present technology we could have had an even better solution by now IMO. Yet at $1300 I think this is a good value and worthy tool to produce excellent images. BTW we may have some significant updates via next firmware for the GH3 relatively soon.

15 of 15 people found the following review helpful.
5A Very Successful Upgrade
By Todd B
Having now spent a few weeks with this camera I feel I can provide an honest review of the GH3 and how it compares to it's well-regarded predecessor, the GH2. What seems clear from the onset of testing is that Panasonic has listened to the feedback it sought from photographers and videographers alike prior to designing a GH2 replacement. The body is much more solid and refined in it's ergonomics and controls. This camera now feels as professional as it's larger/heavier full frame and APS-C competitors (especially with the battery grip), but retains a nimbleness those cameras will never be able to match. The user interface is much more straight forward now and no longer requires a decryptor ring in order to select video shooting modes. In fact each menu option that is highlighted can now describe in detail what it's purpose is before it is activated, deactivated or changed.The new OLED screen is simply stunning and accurately displays color and exposure, even in bright outdoor shooting. I find myself leaving an external monitor at home for my outdoor shoots because it just adds weight to my kit without really improving functionality. The viewfinder is nice as well, but I've noticed it can suffer from some image smearing around the outer edges if your eye is not perfectly aligned to it's center. WiFi remote control works great on the Samsung Galaxy and Asus Transformer, but I have not yet tested it on iPads or iPhones. The 50mbps IPB codec is excellent and can be pushed further in grading and recovery than previous hacked GH2 codecs I've used. Dynamic range, noise/grain, low light performance and ISO color shift (no more green tinting at higher ISOs) all seem improved over the GH2.Raw still images have much better highlight recovery now as well. Where the GH2 has maybe 1/2 a stop of highlight recovery, the GH3 seems more like 1 to 1.5 stops of recovery which makes exposing for shadows much easier and is great when working in timelapse. Speaking of timelapse, the new electronic shutter feature and built-in intervalometer are brilliant. With the battery grip added you can take literally thousands of pictures in electronic shutter mode without killing the batteries. The only downside is that exposures greater than 1 sec in this mode are not (yet) available, so you will need to change over to the mechanical shutter for longer exposures. The camera can also be set to go into sleep mode when timelapsing in long intervals, further saving it's already outstanding battery life. To date I have yet to run into any video moire problems, which appears to be a much more inflated issue online then is justified in the real world. My preferred video settings are Contrast -5, Sharpness 0, Saturation 0, NR -5.In conclusion, this is the camera I have been waiting for as a professional videographer and photographer. It does everything I need it to do in a light weight kit and does it exceedingly well given it's price point.

4 of 4 people found the following review helpful.
4Jack of All Trades... and Master of All, Too
By number one camera
With the GH3, Panasonic delivers a weather-sealed body with the physical controls and options you would expect in a semi-pro DSLR, and a couple of fantastic lenses to go with it. The camera has so many features (and a few shortcomings) that it would take a lengthy article to cover them all. Here are what I consider the salient points:Pros:- Improved tonal range. Compared to my (now-sold) GF1/GF3, it's easy to see the improvement, especially in highlights. Is this the E-M5 sensor? I don't know, but having shot with an E-M5 a few times, the files seem very similar.- Good ISO performance. I'm finding that noise in RAW is acceptable up to ISO 3200, with decent grain/detail and no real banding problems. Things start to break down at 6400, but I'd use it in desperation.- Purple fringing is mostly absent in JPEGs using just about any Panasonic lens. Less so in RAW, depending on the lens used (the 45mm is fantastically clean).- Electronic shutter for silent shooting. It has some limitations - no flash, max 1600 ISO, Jello effect on moving subjects - but can be tremendously useful for candid and travel photography.- Improved JPEGs. Color rendition is better than any Panasonic I've used and blotchy color noise at higher ISOs is well suppressed.- Weather sealing, substantial grip, optional battery grip, built-in flash/intervalometer/GPS/well-implemented WiFi with smartphone support (Android and iOS only, I believe).- The flash has an option for auto exposure compensation. After turning it on, flash photos are never blown out, even with difficult subjects like white clothing.- Five configurable function buttons, which I have dedicated for focus point selection, toggling between EVF/LCD, electronic shutter, aspect ratios, and DOF preview.- Incredible video capability. This is really a topic for a separate review, I suggest checking out EOSHD, Chase Jarvis, etc. for video-centric impressions. This is not my specialty, but everyone seems blown away.- Something not mentioned often... you can shoot RAW in any of the aspect ratios and the RAW file is cropped to that size. Most cameras either don't allow shooting RAW in anything other than the sensor size, or if they do, they shoot in the sensor size and provide crop marks. Some prefer this method, but I prefer to have the RAW file cropped because the file sizes are smaller. (I believe this is a feature of all Panasonic cameras featuring RAW.)- In-camera RAW stacking, great for astrophotography.- Live preview of distortion correction.- Larger capacity battery capable of around 500 shots.- It may seem trivial, but I want to mention the on-screen help system. With Olympus, for example, on-screen help works like a mouse-over bubble, obscuring the menu items behind it. With the GH3, Panasonic simply uses the top row of the list as a marquee. Nothing is blocked, and space for text is unlimited. This is good UI design (though some of the nested menus lack tips). Usually I disable this feature, this is the first time I'm leaving it activated.Cons:- The EVF has some blurring depending on how close your eye is and the angle you're viewing from. I suppose this is due to the nature of the diopter glass. I can see this being uncomfortable for someone who prefers the EVF, especially eyeglass wearers. Also, I don't see an option for auto-brightness. UPDATE: After shooting for a day using only the EVF, I now think it's a more serious problem than I had believed. The EVF panel itself is bright, clear and detailed, but the glass in front of it often acts like a Lensbaby - sharp in the center, with shifting blurriness around the edges. Extended use can be headache-inducing. If you're going to depend on the EVF, I can't recommend the camera. If, like me, you use the EVF only for framing when you can't see the LCD, it's much less an issue.- The OLED LCD has poor color reproduction and resolution, and seems to be lacking in gamut. When you point the camera at a light source, a red/green halo forms around it. The halo shows in playback, but not in the actual image. I don't know if this is OLED-technology-related or it's just a poor quality panel, but it's unfortunate that Panasonic chose to go with this screen for such an otherwise exceptional camera. Confoundingly, the EVF doesn't have this problem.- When nested against the body, the LCD sticks out too far, my thumb is always pushing against the corner of it. Also, it has a bit of vertical play.- Continuous AF tracking not up to phase-detect performance levels. To be fair, no mirrorless system can match a good DSLR yet in this area; I mention it as a con for those coming from a DSLR who may not be aware of this, not as something Panasonic overlooked.- Auto white balance under tungsten lighting is MUCH too warm.- No option to automatically set flash white balance when the flash is activated.- Shutter sound is not so appealing. Recently I learned that the camera doesn't use the electronic shutter to initiate exposure. Can Panasonic change this in firmware?- The grip rubber is somewhat cheap feeling. Also, it's too hard, so the camera is more slippery to hold than a good semi-pro DSLR. An indent for your fingers would help.- The rear thumb rest angles forward with the top part of the body. This means your thumb can't help much as it should in supporting the weight, so overall the camera is not as ergonomically friendly as I had first thought. I have the battery grip coming in the hope of improving this. UPDATE: I received the battery grip, and as expected, it does help. It adds significantly to the weight and bulk, though, so I'm reserving its use for heavier lenses.- The rear dial is partially blocked by the grip, making it a little cumbersome to use.- The green power light is piercingly bright, would be nice if it went dim after a few seconds or shut off completely. I had to cover it with tape.- Split rings for the neck strap. Noisy, and they wear down the lugs prematurely. I removed them and bought a DSPTCH strap.Overall, it's a tremendous effort from Panasonic - a photographic Swiss Army knife. Though it's being praised for video, the physical controls and configurable options make it great for stills, too. It's one of the few cameras around that can be set up to use without having to dive into menus or constantly check the rear screen. If you like working fast, light and low-key, but want the image quality and flexibility that comes with a dedicated camera and great lens selection, have a look at the GH3.

See all 8 customer reviews...



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